• This portrait is often confused with Eckersberg’s more famous portrait of Thorvaldsen, which is in the Royal Academy of Fine Arts in Copenhagen. For in both portraits the sculptor is wearing the robes in which members of the official art gallery in Rome, the Academy of S Luca, dressed on official occasions. Thorvaldsen was in fact not only a member of this academy, but from 1808 had been given the title of professor. The reason for the similarity between the two portraits is not known for sure. A probable explanation is that Vogelstein sat side by side to paint Thorvaldsen’s body using a gliedermann (a wooden jointed dummy such as artists since the Renaissance have used instead of a live model to fix difficult positions and drapery). A closer inspection, however, shows that the two portraits also contain many differences: the light, the atmosphere and not least the psychological element. The transfigured look given to Thorvaldsen by Vogelstein expresses a Romantic sensitivity that is far removed from Eckersberg and the Danish Golden Age. The relief in the background is Thorvaldsen’s so far greatest work: the Alexander Frieze. The small statue is a version of Jason with the Golden Fleece – the work with which he made his name in 1803.

Motiv / Tema


  • Width 78.5 cm
  • Height 108 cm
  • Carl Vogel pinx. Roma 1815
  • Signature